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	<title>Da Vinci&#039;s Demons Archives - John Richards</title>
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	<title>Da Vinci&#039;s Demons Archives - John Richards</title>
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		<title>DA VINCI’S DEMONS CLIP 205-01</title>
		<link>https://jrfilms.com/2014/12/06/da-vincis-demons-clip-205-01/</link>
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		<dc:creator><![CDATA[John Richards]]></dc:creator>
		<pubDate>Sat, 06 Dec 2014 20:33:57 +0000</pubDate>
				<category><![CDATA[Clip of the Week]]></category>
		<category><![CDATA[Da Vinci's Demons]]></category>
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					<description><![CDATA[<p>The post <a href="https://jrfilms.com/2014/12/06/da-vincis-demons-clip-205-01/">DA VINCI’S DEMONS CLIP 205-01</a> appeared first on <a href="https://jrfilms.com">John Richards</a>.</p>
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					<h1 class="entry-title">DA VINCI’S DEMONS CLIP 205-01</h1>
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<h3>Da Vinci’s Demons<br />
Season Two Episode Five<br />
The Sun and the Moon</h3>
<h4>Clip 1 &#8211; Arriving in America</h4>
<div>&nbsp;Faking a landing on a South American beach in cold Wales after the best of the summer has past isn&#8217;t an easy ask. However, we have the added script problems of trying to hide geography and timescales which are nonsense when you analyse them. If Da Vinci has merely crossed the Atlantic and landed in Venezuela, then he has thousands of miles to trek before getting to Machu Picchu. Assuming that is the walled city he seeks! He could have gone around the South Atlantic to the Pacific and up to Chile, making landfall as close to the ancient city as possible but that seems way too big a sea journey for the 15th century. &nbsp;And it all happens while barely a day passes in Florence. The magic of movies answer is to hide all references to exactly where Leo is off to or how long it takes to get there.</div>
<div>Selling the beach landing as new and exotic comes from a great location with blue green sea, Filmston Bay in Pembroke has this. Swansea may be cold and frequently wet, but we had a perfect day. The cliffs are good but the vegetation is no match for the tropics so we had a local crew in Veracruz, Mexico find a coastline that was a close match to our location. We then designed the sort of shots we would need and shot from a boat a number of POV shots arriving on the beach. We also shot&nbsp;a bunch of plates of cliff top vegetation and forest floor GV&#8217;s. An Ultralite provided some stunning ariel footage that influenced the way we designed the mountain pass scene. Once again, Tom Horton and the team integrated these plates to add the tropical vegetation to the cliff tops with CG comps of the ship in the background. Riario&#8217;s wreck is also all CG. The stone column is part of the Welsh beach and is well worth visiting.</div>
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<div>For those who don&#8217;t follow the series, the cowardly captain is Amerigo Verspuccio who jokes he might name the new country after himself, only to chose Verspuccia.</div></div>
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<p>The post <a href="https://jrfilms.com/2014/12/06/da-vincis-demons-clip-205-01/">DA VINCI’S DEMONS CLIP 205-01</a> appeared first on <a href="https://jrfilms.com">John Richards</a>.</p>
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		<title>Da Vinci&#8217;s Demons Clip 205-02</title>
		<link>https://jrfilms.com/2014/11/19/da-vincis-demons-clip/</link>
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		<dc:creator><![CDATA[John Richards]]></dc:creator>
		<pubDate>Wed, 19 Nov 2014 17:27:42 +0000</pubDate>
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					<description><![CDATA[<p>The post <a href="https://jrfilms.com/2014/11/19/da-vincis-demons-clip/">Da Vinci&#8217;s Demons Clip 205-02</a> appeared first on <a href="https://jrfilms.com">John Richards</a>.</p>
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					<h1 class="entry-title">Da Vinci&#8217;s Demons Clip 205-02</h1>
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				<div class="et_pb_text_inner"><h3>Da Vinci&#8217;s Demons<br />
Season Two Episode Five<br />
The Sun and the Moon</h3>
<h4>Clip 2 &#8211; The Jungle</h4>
<p>In this clip, Leonardo is back on dry land and in search of the walled city that he believes to be the home of the Book of Leaves. He and Zo have two of the seamen from the voyage across the Atlantic with them. In true Star Trek ensign red shirt fashion, these crewmen&#8217;s fate is clear!</p>
<div></div>
<div>The scene is designed to bridge us between the South American coast and the mountains that contain the ancient city. It also underlines Leo&#8217;s delight in all things new. We did cut out a shot of him finding a large tarantula spider in favour of him liking the orchids with the new shade of vermillion, it was one bit of placed wildlife too much. This flower prop is heavily enhanced using secondary color correction in the grade making it a colour quite different to the actual prop.</div>
<div></div>
<div>The wide angle behind the guys as they move through the river, which is of course a lake, has one of our South American mountains added in. The shot is composed exactly as you would frame it if a mountain was in the background and Tom Horton and the VFX team worked on the colour and type of mountain so as to achieve a good blend in.</div>
<div></div>
<div>The best part of the behind the camera reality is that it&#8217;s all shot in <a title="The Lost Gardens of Heligan" href="https://www.heligan.com" target="_blank" rel="noopener noreferrer">Heligan, Cornwall</a>. Director Jon Jones shot at the end of the summer when we were allowed to machete through the undergrowth as the park clear it out each year to allow for new growth.  We were also lucky with weather as the heavens opened while the day progressed, adding to the sense of us being in a rainforest at the end of the sequence.</div>
<div></div>
<div>As an editor, recognising what isn&#8217;t working is critical and I would have liked more sweat on the guys and their clothes. This influenced me to use shots that didn&#8217;t highlight the lack of sweat and to keep the sequence shorter than scripted.</div>
<div></div>
<div>As ever, it&#8217;s a clever performance from Tom Riley. Harking back to some of the Tourette&#8217;s like speech impediment that Da Vinci exhibited under stress in the first seasons court room episode The Tower, that I also cut. Tom really does think about the character arc over many episodes and series.</div>
<div></div>
<div>I like this scene, not just because it works well, but because it is almost all in camera…&#8230;apart from the mountain and a couple of fixes where we saw members of the public walking in the background!</div></div>
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<p>The post <a href="https://jrfilms.com/2014/11/19/da-vincis-demons-clip/">Da Vinci&#8217;s Demons Clip 205-02</a> appeared first on <a href="https://jrfilms.com">John Richards</a>.</p>
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		<title>Da Vinci&#8217;s Demons &#8211; Season Two &#8211; Episode 6 &#8211; The Rope of The Dead</title>
		<link>https://jrfilms.com/2014/11/08/da-vincis-demons-season-two-episode-6-the-rope-of-the-dead/</link>
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		<dc:creator><![CDATA[John Richards]]></dc:creator>
		<pubDate>Sat, 08 Nov 2014 23:46:13 +0000</pubDate>
				<category><![CDATA[Da Vinci's Demons]]></category>
		<category><![CDATA[DVD Season 2]]></category>
		<category><![CDATA[TV]]></category>
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					<description><![CDATA[<p>The post <a href="https://jrfilms.com/2014/11/08/da-vincis-demons-season-two-episode-6-the-rope-of-the-dead/">Da Vinci&#8217;s Demons &#8211; Season Two &#8211; Episode 6 &#8211; The Rope of The Dead</a> appeared first on <a href="https://jrfilms.com">John Richards</a>.</p>
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					<h1 class="entry-title">Da Vinci&#8217;s Demons &#8211; Season Two &#8211; Episode 6 &#8211; The Rope of The Dead</h1>
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				<div class="et_pb_text_inner"><p>Leonardo’s journey to retrieve the world-changing Book of Leaves is blocked by the living dead as a hallucinogenic poison courses through his veins, putting Riario in a race against time to get the antidote. Meanwhile, Lorenzo undergoes a deadly trial of his own at the behest of King Ferrante of Naples. John Richards received credit and praise for his work as editor and second unit director on this episode, primarily in the cornfield chase sequences, which despite being set in Machu Picchu, was actually filmed in Swansea.</p></div>
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<p>The post <a href="https://jrfilms.com/2014/11/08/da-vincis-demons-season-two-episode-6-the-rope-of-the-dead/">Da Vinci&#8217;s Demons &#8211; Season Two &#8211; Episode 6 &#8211; The Rope of The Dead</a> appeared first on <a href="https://jrfilms.com">John Richards</a>.</p>
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		<title>Da Vinci&#8217;s Demons -Season Two &#8211; Episode Five &#8211; The Sun and the Moon</title>
		<link>https://jrfilms.com/2014/09/22/da-vincis-demons-episode-5-sun-moon/</link>
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		<dc:creator><![CDATA[John Richards]]></dc:creator>
		<pubDate>Mon, 22 Sep 2014 22:11:51 +0000</pubDate>
				<category><![CDATA[Da Vinci's Demons]]></category>
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					<description><![CDATA[<p>The post <a href="https://jrfilms.com/2014/09/22/da-vincis-demons-episode-5-sun-moon/">Da Vinci&#8217;s Demons -Season Two &#8211; Episode Five &#8211; The Sun and the Moon</a> appeared first on <a href="https://jrfilms.com">John Richards</a>.</p>
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				<div class="et_pb_text_inner"><p>John&#8217;s editing work on the Tower in series one of Da Vinci&#8217;s Demons was so well recieved that he was hired again to edit episodes 5 and 6 of series 2, working with Director, Jon Jones.&nbsp; The Sun and the Moon and the following episode, Rope of the Dead, were set in the 15th century South American city of Machu Picchu.</p>
<p>John, again was involved extensively as 2nd Unit director, primarily in the night time cornfield chase scenes, which were also shot in Swansea, with extensive photoshop image manipulation to make the scenes appear larger than the set would provide in real life, allowing the normally damp Welsh landscape to become a hot South American cityscape.&nbsp; John recieved a credit for this work.</p>
<p>Plot</p>
<p>Leonardo reunites with Riario and Nico in the New World. Lorenzo attempts to save Florence with the help of an old flame. Clarice struggles to retain control of the Medici Bank.</p>
<p><a href="https://www.starz.com/originals/davincisdemons/s2/e205">Starz</a></p>
<p><a title="DA VINCI’S DEMONS CLIP 205-01" href="https://jrfilms.com/2014/12/06/da-vincis-demons-clip-205-01/">Clip 1 &#8211; Arriving in America</a></p>
<p><a title="Da Vinci’s Demons Clip 205-02" href="https://jrfilms.com/2014/11/19/da-vincis-demons-clip/">Clip 2 &#8211;&nbsp;The Jungle</a></p></div>
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<p>The post <a href="https://jrfilms.com/2014/09/22/da-vincis-demons-episode-5-sun-moon/">Da Vinci&#8217;s Demons -Season Two &#8211; Episode Five &#8211; The Sun and the Moon</a> appeared first on <a href="https://jrfilms.com">John Richards</a>.</p>
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		<title>Da Vinci&#8217;s Demons &#8211; Season One &#8211; Episode Five &#8211; The Tower</title>
		<link>https://jrfilms.com/2014/09/22/da-vincis-demons-the-tower/</link>
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		<dc:creator><![CDATA[John Richards]]></dc:creator>
		<pubDate>Mon, 22 Sep 2014 22:10:28 +0000</pubDate>
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					<description><![CDATA[<p>The post <a href="https://jrfilms.com/2014/09/22/da-vincis-demons-the-tower/">Da Vinci&#8217;s Demons &#8211; Season One &#8211; Episode Five &#8211; The Tower</a> appeared first on <a href="https://jrfilms.com">John Richards</a>.</p>
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					<h1 class="entry-title">Da Vinci&#8217;s Demons &#8211; Season One &#8211; Episode Five &#8211; The Tower</h1>
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				<div class="et_pb_text_inner"><p>The Tower was an opportunity for John to work with David S. Goyer (Man of Steel) fantasy drama series.&nbsp; The series produced for Starz US cable channel is a re-imagining of Leonardo&#8217;s life. John edited this episode, once again working with director, Paul Wilmshurst (Strikeback).&nbsp; The episode was shot in Swansea on the partially derelict site of the former Ford motor plant.</p>
<p>Plot</p>
<p>Leonard da Vinci (Tom Riley) is accused of sodomy with an associate who he&nbsp; has previously paid as an artistic model several times for his life drawing and art.</p>
<p>Piero, Leonardo&#8217;s estranged father, is ordered to defend his son in court. Senior Pazzi is a late addition unexpected addition to the trial.&nbsp; It becomes apparent that Rome is behind the trumped up charges. The aim is to throw doubt on the Medicis family. Da Vinci has to become underhand in order to gain a fair outcome to the trial. Lorenzo is struggling to convince the King and Queen of Spain that the Medici family bank is a good place to hold their funds.&nbsp; The worthiness of the&nbsp; bank is cast into doubt by losing the blessing of the Roman Pope.&nbsp; Later, Leonardo turns a corrupt judge during a performance for visiting royals.</p>
<p>The Turk appears in the episode to cast Leonardo&#8217;s mind through time where he sees a hanged man&#8230;</p>
<p>A play is held for the benefit of the normally modest King of Spain, all attempts are made to temper the usually for Florence immodest performance, in view of how important it is to make a good impression on the guests.&nbsp; Leonardo steals the show with a light projection of a prominent figure in a compromising position with a farm animal &#8230;without fully revealing his identity.</p>
<p>Through bribery Da Vinci escapes the fate which had been arranged for him and we also see a glimpse of his relationship with the male model and perhaps his true sexuality.</p></div>
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<p>The post <a href="https://jrfilms.com/2014/09/22/da-vincis-demons-the-tower/">Da Vinci&#8217;s Demons &#8211; Season One &#8211; Episode Five &#8211; The Tower</a> appeared first on <a href="https://jrfilms.com">John Richards</a>.</p>
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